Catalogue essays, reviews, articles

Solo exhibition catalogue essays, features and reviews

  • Williams, R. (2014) Exhibition Review, ‘Maxine Bristow: Concordance, Whitworth Art Gallery, Manchester’, in Textile, Journal of Cloth and Culture, Bloomsbury - read more.
  • Walker, R. L. (2013) ‘Cloth and Memory {2} Mutable Frame of Reference’ - read more.
  • McKane, A. (2013) Catalogue essay, ‘Maxine Bristow: Concordance, Whitworth Art Gallery, Manchester’.
  • Hemmings, J. (2007) ‘Maxine Bristow: Everyday Inspirations’ in Embroidery Magazine (March/April, 2007: 14-16) - read more.
  • Hill, J. (2007) ‘Maxine Bristow, Sensual Austerity’, Selvedge, Issue 13, p.91Mitchell, V. (2006) ‘Clothing the Grid: alterations and alternations’ in Sensual Austerity exhibition catalogue, The Hub, Lincolnshire - read more.
  • Oliver, E. (2006) ‘Articulate Silence’ in Sensual Austerity exhibition catalogue, The Hub, Lincolnshire.
  • Hemmings, J. (2006) 'Maxine Bristow, Sensual Austerity, The Hub, Sleaford’ in Crafts, No.203, Nov/Dec 2006, p.64 - read more.
  • Johnson, P. (1997) ‘A Sense of Order’, Crafts, vol. 47 July/August 1997, p.26-29. ISSN 0306-6 10x

Other group exhibition features and reviews

  • Kay Carson, Sensual Austerity, 24 Hour Museum, 22.9.06
  • Kay Greenlees, ‘Revealed: Nottingham’s Contemporary Textiles’ in Selvedge, Nov/Dec 05, Issue 08, p. 88. ISSN 1742-254X
  • Jessica Hemmings, ‘A Bridge Between Britain and Japan’ in Surface Design Journal, pp.36-41, Fall 2004.
  • Oliver Lowenstein, ‘Through the Surface’ in FibreArts, p.46-51, Sept/October 2004.
  • Lesley Millar, ‘Through the Surface’ in a-n Magazine, p.32-35, April 2004.
  • Liz Hoggard, ‘Surface Treatment’ in Crafts, no. 187, pp.25-31, March/April 2004.
  • Hilary Turner, ‘Through the Surface: Collaboration, Process and Outcome’ in Journal for Weavers, Spinners and Dyers, pp.20-24, March 2004.
  •  Angela Kennedy, ‘Fabric Futures’ in IdFX Magazine, p.34-39, March 2004.
  • Polly Leonard, ‘Through the Surface Collaborating Textile Artists from Britain and Japan’ in Embroidery vol.54, pp.38-39 Sept 2003.
  • Polly Binns, ‘Jerwood Applied Arts Prize’ in Textile - The Journal of Cloth and Culture, vol.1, issue 1, Spring 2003.
  • Mary Schoeser, ‘Jerwood Applied Arts Prize 2002: Textiles’ in Crafts, no.180 Jan/Feb 2003, p.50
  • Jo Saunders, ‘Jerwood Applied Arts Prize 2002: Textiles’ in Embroidery, vol.54, Jan 2003
  • Polly Leonard, ‘Textile Innovation The Jerwood Prize for Textiles’ in Embroidery Magazine, September 2002, pp.20-21
  • Anne Hamlyn, ‘Textures of Memory’ in n.paradoxa Vol.6, 2000. ISSN 1461-0434
  • ‘Textures of Memory the Poetics of Cloth’ in Crafts, no.162, Jan/Feb 2000
  • Polly Leonard, ‘Cloth or Concept Trends in Textiles Today’ in The World of Embroidery, July 1998 Volume 49, No.4
  • Pamela Johnson, ‘A Sense of Order’, Crafts, vol. 47 July/August 1997, p.26-29. ISSN 0306-6 10x
  • Pamela Johnson, exhibition review Flexible 2, Crafts, vol. 47 July/August 1997, pp.53-54. ISSN 0306-6 10x
  • Pamela Johnson, ‘Time for Textiles’, Crafts, No.144 January/February 1997, pp.20-25. ISSN 0306-610X.
  • Renata Brink, ‘Textile Texts’ in Artists Newsletter, November 1996.